Johan Huizinga, ‘‘Puerlism,’’ in
The Shadow of Tomorrow (New York: The Norton Library, 1936), 177-182:
The most fundamental characteristic of true play,
whether it be a cult, a performance, a contest, or a
festivity, is that at a certain moment it is over. The
spectators go home, the players take off their masks,
the performance has ended. And here the evil of our
time shows itself. For nowadays play in many cases
never ends and hence is not true play. A far-reaching
contamination of play and serious activity has taken
place. The two spheres are getting mixed. In the
activities of an outwardly serious nature hides an
element of play. Recognised play, on the other hand,
is no longer able to maintain its true play-character
as
a
result of being taken too seriously and being
technically over-organised. The indispensable qualities of detachment, artlessness and gladness are thus
lost.
To a certain extent something like this contamination has been present in all cultures as far back as
we can see. But it is the dubious privilege of modern
Western civilization to have given this diffusion of
the two spheres of life its greatest intensity. With
great numbers of both the educated and the ignorant, the play-attitude towards life of the adolescent has
become permanent. At an earlier stage we have
already alluded to the prevalence of a state of mind
which might be called one of permanent adolescence.
It is characterised by a lack of sense of decorum, a
lack of personal dignity and of respect for others and
the opinions of others, and an excessive concentra-
tion on self. The general weakening of judgment and
of the critical impulse has prepared the soil for the
spread of this attitude.
Now it is both interesting and disquieting to note
that the emergence of this state of mind is facilitated
not only by a decreased desire for individual judgment, by the standardising effect of group organisations providing a set of ready-made opinions, and
by the ever-available opportunities for trivial diversion, but also by the marvellous development of
technical facilities. In his world full of wonders man
is like a child in a fairy tale. He can travel through
the air, speak to another hemisphere, have a continent
delivered in his home by radio. He presses a button
and life comes to him. Will such a life give him
maturity? On the contrary.
In making mention of the contamination of play
and seriousness in modern life, we enter upon a
fundamental problem of culture which cannot be
investigated in this book. The phenomenon shows
itself partly in a semi-serious attitude towards work,
duty, fate and life, partly in the attribution of great
importance to what a clear judgment would qualify
trivial, and in the treatment of truly important
things with the instincts and gestures of play. Political
speeches of leading figures which should properly
be described as mischievous pranks are not rare.
It would be interesting to investigate how in the
different languages the words for play continually
overflow into the sphere of the serious. American
English would offer an especially promising field
for a study of this kind. The American reporter speaks
of his profession as “the newspaper game.” The
politician who, though by nature honest, finds himself forced to howl with the wolves of corruption,
offers as his justification that he had “to play the
game.” The customs official is implored to close his
eyes to an infringement of the prohibition law with the words “be a good sport.” It is clear that far more
is involved here than a mere question of popular
speech. It is a fundamental change of a moral-psychological nature. [...]
The slogan belongs to the field of publicity,
whether commercial or political. Now it is one of
the fundamental features of all modern publicity, that
hypertrophic product of our time, that it is based on
this attitude of semi-seriousness characteristic of over-refined civilizations. It is perhaps to be viewed as a
symptom of old age. Puerilism is the proper word
for it.
This widely prevalent attitude of semi-seriousness
at once explains the close connection between heroism
and puerilism. The moment the motto becomes “Let
us be heroes” a great game has started. It could be
a noble game if it were consummated entirely within
the sphere of Spartan matches of youths, or the Olympic games. But as long as it is played in the form of
political action, in parade and national drill, in oratorical bombast and “officially inspired” newspaper
articles, and with all this yet takes itself seriously and
demands to be taken seriously, it is truly puerilism.
The confusion of play and seriousness which lies at the bottom of all that was here classified as puerilism, is no doubt one of the most important aspects
of the malady of our time. There remains the question as to how far puerilism is connected with that
other trait of modern life, the glorification of youth.
The two should be clearly distinguished. Puerilism
knows no ages, it attacks young and old alike. The
adoration of youth, superficially a sign of fresh
strength, may also be viewed as a symptom of old
age, an abdication in favour of the coming heir. While
most strong cultures have loved and honoured youth
they never cajoled or exalted it, and they always demanded from it obedience and respect for its elders.
Typically decadent and puerile were the quickly evaporated movements which called themselves Futurism. One cannot say that youth was to blame for
them.