Between Seneca And Plutarch

William Edward Lecky, History of European Morals From Augustus to Charlemagne, vol. I. (New York: 3rd edt., 1897), ch. 2, The Pagan Empire, p. 243-4:

Plutarch, whose fame as a biographer has, I think, unduly eclipsed his reputation as a moralist, may be justly regarded as the leader of this movement, and his moral writings may be profitably compared with those of Seneca, the most ample exponent of the sterner school. Seneca is not unfrequently self-conscious, theatrical, and overstrained. His precepts have something of the affected ring of a popular preacher. The imperfect fusion of his short sentences gives his style a disjointed and, so to speak, granulated character, which the Emperor Caligula happily expressed when he compared it to sand without cement; yet he often rises to a majesty of eloquence, a grandeur both of thought and of expression, that few moralists have ever rivalled. Plutarch, though far less sublime, is more sustained, equable, and uniformly pleasing. The Montaigne of antiquity, his genius coruscates playfully and gracefully around his subject; he delights in illustrations which are often singularly vivid and original, but which, by their excessive multiplication, appear sometimes rather the texture than the ornament of his discourse. A gentle, tender spirit, and a judgment equally free from paradox, exaggeration, and excessive subtilty, are the characteristics of all he wrote. Plutarch excels most in collecting motives of consolation; Seneca in forming characters that need no consolation. There is something of the woman in Plutarch; Seneca is all a man. The writings of the first resemble the strains of the flute, to which the ancients attributed the power of calming the passions and charming away the clouds of sorrow, and drawing men by a gentle suasion into the paths of virtue; the writings of the other are like the trumpet-blast, which kindles the soul with an heroic courage. The first is most fitted to console a mother sorrowing over her dead child, the second to nerve a brave man, without flinching and without illusion, to grapple with an inevitable fate.